Performances in N.Y.C. Advertisement Supported by Critic’s Notebook As Adès premieres an orchestral work, “The Exterminating Angel” is receiving something rare in contemporary opera: a new production.
Calixto Bieito added an element to “The Exterminating Angel” that Luis Buñuel and Thomas Adès left out: cannibalism. Adès’ opera, based on Buñuel’s 1962 film “El ángel exterminador,” details ...
When a composer as brilliant as Thomas Adès takes to the conductor’s podium you can be sure of something special. The conventional conductor’s poise and grace are of no interest to him; he wants to ...
The male soprano Samuel Mariño’s “Lumina,” a suite from Thomas Adès’s “The Tempest” and Ginastera’s string quartets are among the highlights. Andris Nelsons led a concert performance of Puccini’s ...
Calixto Bieito added an element to “The Exterminating Angel” that Luis Buñuel and Thomas Adès left out: cannibalism. Adès’ opera, based on Buñuel’s 1962 film “El ángel exterminador,” details ...
This is an archived article and the information in the article may be outdated. Please look at the time stamp on the story to see when it was last updated. Calixto Bieito added an element to “The ...
Calixto Bieito added an element to “The Exterminating Angel” that Luis Buñuel and Thomas Adès left out: cannibalism. Adès’ opera, based on Buñuel’s 1962 film “El ángel exterminador,” details ...
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