Add Yahoo as a preferred source to see more of our stories on Google. There are all the hallmarks of the darkly romantic genre: gorgeous, decrepit buildings, strikes of lightning, ghostly possessions, ...

Add Yahoo as a preferred source to see more of our stories on Google. The Bride lays on the operating table in The Bride! - Warner Bros. Pictures Here comes "The Bride!", Maggie Gyllenhaal's extremely ...

Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But I’ll say this for it: It’s alive. Just months after Guillermo ...

It isn’t much of a hot take to suggest this, but the only classic Universal monster movie better than James Whale’s 1931 Frankenstein is his 1935 sequel, The Bride of Frankenstein. In fact, the only ...

The Bride!is a new horror film from actress-turned-director Maggie Gyllenhaal, whose debut feature film The Lost Daughter was met with terrific reviews. The Bride!, which Gyllenhaal also wrote, is ...

Director Maggie Gyllenhaal reinvents a classic monster story in ‘The Bride!’ but sewing together different genres like body parts doesn’t always work. ‘The Bride!’ is a lot. Maggie Gyllenhaal’s second ...

"The dead have got something to say! And I'm saying it!" Here we go, folks! Warner Bros has revealed the main official trailer for The Bride!, the highly anticipated creation from the mind of ...

Jessie Buckley unleashes her take on the Bride of Frankenstein in Maggie Gyllenhaal’s The Bride! The feminist adaptation of Mary Shelley’s seminal 1818 work makes Ida (Buckley), or the Bride, a ...

Maggie Gyllenhaal made her new movie The Bride! a full family affair. Not only did the writer-director cast her husband, Peter Sarsgaard, and brother, Jake, in major roles, but Entertainment Weekly ...

Maggie Gyllenhaal’s The Bride is a captivating movie. Right from its very first moments, this film knows how to hook its viewers, immerse them in its world, and so thoroughly entertain them that ...

Here comes "The Bride!", Maggie Gyllenhaal's extremely messy, extremely inventive film that dares you to try to neatly fit it into one genre. It's a sort-of-musical, meta-sequel-reboot, comedy, love ...