Rachel Redmond and Iestyn Davies in the Barbican's concert staging of Orlando - Mark Allan Magic and madness dominate Orlando. Handel’s masterly 1733 opera was the first of three, followed by Alcina ...
Yet this feast of gorgeous music forever gestured towards the drama that its limited format – despite some attempts at action and business among the singers – could never deliver. So frustration ...
Even before Tuesday’s concert performance of Handel’s opera “Orlando” began, it was clear that this would be an unusual night in Ozawa Hall. Members of the San Francisco-based Philharmonia Baroque ...
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