In a sense, it was prophetic. Ever since Rajesh Khanna muttered those unforgettable words, Zindagi aur maut uparwaale ke haath hain jahaanpanaah… in Anand (1971), one got a sense of what Indian cinema ...
Go back to where IT all began.
A man lies about being an eyewitness to a murder in order to spend time with a beautiful female reporter. Only now, he's wanted by those responsible for the killing.
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