Garsington’s airy and luminous opera pavilion challenges any interpreter of a work so filled – dramatically and musically – with the subterranean darkness of buildings, of institutions, and of the ...

Condensing Melville’s vast and discursive work into a three-hour opera may have seemed as foolish as Captain Ahab’s increasingly desperate voyage to find the whale that maimed him, but Heggie and ...

“He really admired Napoleon [Bonaparte],” Tara Faircloth, the stage director for the Utah Opera ’s upcoming production of ...