In Steven Spielberg’s 1977 film Close Encounters of the Third Kind, the first conversation between humans and aliens is a duet of music and visuals. The film’s narrative doesn’t offer even a tentative ...
Neil Harbisson doesn't see colors, he listens to them. The day I talk to the Spanish-born artist, he is wearing a discordant array of notes: F (red), G (yellow) and C (blue). “It’s not a normal major ...
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