At Adobe MAX, former Warner Bros. Discovery senior colorist and Adobe senior product marketing manager Jason Druss ...

If you've ever tried to make your photos or videos pop in color, you've probably come across color-grading. It's the secret sauce that can make even poor-looking footage look cinematic if done right.

"His expertise in color grading is unparalleled, and his course provides invaluable knowledge that will benefit filmmakers at all levels." Eric Whipp's course will launch on September 10th, 2024, and ...

Color grading sets a standard for the visual experience, but its up to your TV to match it.

It pays to know what you are talking about! In our continuing series on basic colour correction, we decipher some of the most common terminology used in the grading suite. Our previous articles in ...

Colorist Joe Gawler of Harbor Pictures has worked on a number of films and television shows over the years, including A Most Violent Year, Midnight in Paris and Arrival. For Wonderstruck, Gawler had ...

The last time I wrote about film color for this magazine was on the ways 35mm shooting and digital color combined in Uncut Gems and Star Wars: The Rise of Skywalker to create contemporary looks ...

When Tim Burton needed a team to handle the color grade on Disney’s big budget 3D remake of Frankenweenie, he turned to some old friends at Company 3’s London office. Several members of the local ...

Company 3 colorist Yvan Lucas accepted the FilmLight Color Award for a theatrical feature. By Carolyn Giardina Tech Editor The candy-colored look of Barbie delivered colorist Yvan Lucas of Company 3 ...

There are two things that are at the core of doing good color grading for video: Ensuring that the image on the screen looks great and is graded to best tell the story; and Making sure that the image ...